Las óleos de todo GOYEN, Jan van
ID Image  Painting (From A to Z)       Details 
6976  
GOYEN, Jan van, Beach at Scheveningen df
  		 Beach at Scheveningen df   1646 Oil on canvas, 92,1 x 108 cm Thyssen-Bornemisza Collection, Madrid
6966  
GOYEN, Jan van, Dunes sdf
  		 Dunes sdf   1629 Oil on wood Staatliche Museen, Berlin
6978  
GOYEN, Jan van, Haarlemer Meer dg
  		 Haarlemer Meer dg   1656 Oil on canvas., 39 x 54 cm Städelsches Kunstinstitut, Frankfurt
6967  
GOYEN, Jan van, Haymaking dg
  		 Haymaking dg   1630 Oil on wood, 31,5 x 50,5 cm Pushkin Museum, Moscow
6977  
GOYEN, Jan van, Horse Cart on a Bridge sg
  		 Horse Cart on a Bridge sg   1648 Oil on wood, 37 x 66 cm Alte Pinakothek, Munich
6968  
GOYEN, Jan van, Landscape with Dunes dxg
  		 Landscape with Dunes dxg   1630-35 Oil on panel, 54 x 37,5 cm Kunsthistorisches Museum, Vienna
6969  
GOYEN, Jan van, Marine Landscape with Fishermen fu
  		 Marine Landscape with Fishermen fu   Oil on wood, 36,1 x 32,2 cm Museum of Fine Arts, Budapest
6970  
GOYEN, Jan van, Peasant Huts with a Sweep Well sdg
  		 Peasant Huts with a Sweep Well sdg   1633 Oil on oak, 55 x 80 cm Gemäldegalerie, Dresden
6971  
GOYEN, Jan van, River Landscape with a Windmill and a Ruined Castle sdg
  		 River Landscape with a Windmill and a Ruined Castle sdg   1644 Oil on canvas, 97 x 133 cm Mus??e du Louvre, Paris
6980  
GOYEN, Jan van, Seashore at Scheveningen dg
  		 Seashore at Scheveningen dg   1645 Oil on wood, 53 x 71 cm The Hermitage, St. Petersburg
6982  
GOYEN, Jan van, View of Dordrecht dg
  		 View of Dordrecht dg   1644-53 Oil on canvas, 97 x 148 cm Mus??es Royaux des Beaux-Arts, Brussels
6984  
GOYEN, Jan van, View of Dordrecht from the Oude Maas sdg
  		 View of Dordrecht from the Oude Maas sdg   1644 Oil on canvas, 103,5 x 133,5 cm Kunsthistorisches Museum, Vienna
6972  
GOYEN, Jan van, View of Leiden cdfh
  		 View of Leiden cdfh   1643 Oil on wood, 39,8 x 59,9 cm Alte Pinakothek, Munich
6983  
GOYEN, Jan van, View of Leiden dg
  		 View of Leiden dg   1650 Oil on canvas Stedelijk Museum De Lakenhal, Leiden
6981  
GOYEN, Jan van, View of The Hague in Winter dg
  		 View of The Hague in Winter dg   1645 Oil on panel, 52 x 70 cm The Hermitage, St. Petersburg
6974  
GOYEN, Jan van, View of the Merwede before Dordrecht sdg
  		 View of the Merwede before Dordrecht sdg   Oil on wood Rijksmuseum, Amsterdam
6975  
GOYEN, Jan van, Village at the River sg
  		 Village at the River sg   1636 Wood, 39,5 x 60 cm Alte Pinakothek, Munich
6986  
GOYEN, Jan van, Windmill by a River fg
  		 Windmill by a River fg   1642 Oil on panel, 29,4 x 36,3 cm National Gallery, London
64697  
GOYEN, Jan van, Winter
  		 Winter   1645 Oil on panel, 52 x 70 cm The Hermitage, St. Petersburg *** Keywords: ************* Author: GOYEN, Jan van Title: Winter, 1601-1650, Dutch , painting , landscape
6987  
GOYEN, Jan van, Winter dgh
  		 Winter dgh   1645 Oil on panel, 52 x 70 cm The Hermitage, St. Petersburg
6985  
GOYEN, Jan van, Winter on the River dg
  		 Winter on the River dg   Oil on wood Gemäldegalerie, Dresden
GOYEN, Jan van
Dutch Baroque Era Painter, 1596-1656 Jan van Goyen was born in Leiden on Jan. 13, 1596. Apprenticed from the age of 10, he had several masters. About 1617 he went to Haarlem to study with Esaias van de Velde, an important innovator in the Haarlem movement of realistic landscape painting. Van Goyen's works between 1621 and 1625 are sometimes hard to distinguish from those of his teacher. They are colorful, detailed views of villages and roads, usually busy with people, as in Winter (1621). It was Van Goyen's usual practice to sign or monogram and date his paintings. He traveled extensively through the Netherlands and beyond, recording his impressions in sketchbooks, occasionally with dates and often depicting recognizable scenes. Thus the chronology of his development is clear. His paintings of the late 1620s show a steady advance from the strong colors and scattered organization of his early works toward tonality and greater simplicity and unity of composition. By 1630 he was painting monochromes in golden brown or pale green; he played a leading part in the tonal phase of Dutch landscape painting. In 1631 Van Goyen settled in The Hague, where he became a citizen in 1634. The simplicity, airiness, and unification of his compositions continued to increase in his abundant production of dune landscapes, river views, seascapes, town views, and winter landscapes. The River View (1636) displays a river so open and extensive as to suggest the sea, with reflections that prolong the vast and luminous sky. In its monumentalization of humble structures and its composition built on a firm scaffolding of horizontal and vertical forces, it forecast at this early date developments that dominated landscape painting in the 1650s and later. In the Village and Dunes (1647) the traditional double-diagonal composition still exists, but it is dominated by horizontal and vertical accents. Stronger contrasts of light and dark replace the earlier tonality. In the last year of his life Van Goyen produced an eloquent new style, in which powerful forms stand out against the radiant sky and water in an exquisitely balanced composition (Evening Calm; 1656). The commission in 1651 to paint a panoramic view of The Hague for the Burgomaster's Room shows the high regard in which Van Goyen was held. He was enormously productive; well over 1,000 of his paintings still exist, and almost as many drawings. Yet he died insolvent, perhaps because of losses in his various business ventures, and soon after his death on April 27, 1656,



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